Poems and prompts for the month of April. The poems are chosen from www.poetryfoundation.org and from www.poemhunter.com. The prompts appear below each poem.
The April sun, squeezed
Like an orange in
My glass? I sip the
Fire, I drink and drink
Again, I am drunk
Yes, but on the gold
Of suns, What noble
Venom now flows through
My veins and fills my
Mind with unhurried
Laughter? My worries
Doze. Wee bubbles ring
My glass, like a bride’s
Nervous smile, and meet
My lips. Dear, forgive
This moment’s lull in
Wanting you, the blur
In memory. How
Brief the term of my
Devotion, how brief
Your reign when I with
Glass in hand, drink, drink,
And drink again this
Juice of April suns.
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Poem by: Forugh Farrokhzad
Translated by: Sholeh Wolpé
Sky
The Wind will Blow Us Away
Inside my little night, alas,
the wind has a rendezvous with the leaves;
inside my little night, there is fear
and dread of desolation.
Listen.
Hear the darkness blow like wind?
I watch this prosperity through alien eyes.
I am addicted to my despair.
Listen.
Hear the darkness blow?
This minute, inside this night,
something’s coming to pass. The moon
is troubled and red; clouds
are a procession of mourners waiting
to release tears upon this rooftop,
this rooftop about to crumble, to give way.
A moment,
then, nothing.
Beyond this window, the night quivers,
and the earth once again halts its spin.
From beyond this window, the eyes
of the unknown are on you and me.
May you be green, head to toe—
put your hands like a fevered memory in mine…
these hands that love you.
And cede your lips
like a life-warmed feeling
to the caress of my lovesick lips.
The wind will one day blow us away.
The wind will blow us away.
Poetry prompt for April 6, 2014: like wind in the dunes
Poetry prompt for April 11, 2014: “My name is Kazim.
Which means patience.”—“Home” by
Kazim Ali. What does your name mean?
Pebble
The pebble
is a perfect creature
equal to itself
mindful of its limits
filled exactly
with a pebbly meaning
with a scent that does not remind one of anything
does not frighten anything away does not arouse desire
its ardour and coldness
are just and full of dignity
I feel a heavy remorse
when I hold it in my hand
and its noble body
is permeated by false warmth
--Pebbles cannot be tamed
to the end they will look at us
with a calm and very clear eye
is a perfect creature
equal to itself
mindful of its limits
filled exactly
with a pebbly meaning
with a scent that does not remind one of anything
does not frighten anything away does not arouse desire
its ardour and coldness
are just and full of dignity
I feel a heavy remorse
when I hold it in my hand
and its noble body
is permeated by false warmth
--Pebbles cannot be tamed
to the end they will look at us
with a calm and very clear eye
Zbigniew Herbert :
Prompt: April 1, 2014:
Small Things: (write a list poem—you can be inventive with
your list)
Summer in Calcutta
What is this drink butThe April sun, squeezed
Like an orange in
My glass? I sip the
Fire, I drink and drink
Again, I am drunk
Yes, but on the gold
Of suns, What noble
Venom now flows through
My veins and fills my
Mind with unhurried
Laughter? My worries
Doze. Wee bubbles ring
My glass, like a bride’s
Nervous smile, and meet
My lips. Dear, forgive
This moment’s lull in
Wanting you, the blur
In memory. How
Brief the term of my
Devotion, how brief
Your reign when I with
Glass in hand, drink, drink,
And drink again this
Juice of April suns.
Kamala Das
Poetry Prompt: April 2, 2014: “the little Tippler / Leaning against the – Sun!”
ED. What are you drunk on?
When Autumn Came
by Faiz
Ahmed Faiz
translated by Naomi Lazard
translated by Naomi Lazard
This is the way that autumn came to the trees:
it stripped them down to the skin,
left their ebony bodies naked.
It shook out their hearts, the yellow leaves,
scattered them over the ground.
Anyone could trample them out of shape
undisturbed by a single moan of protest.
The birds that herald dreams
were exiled from their song,
each voice torn out of its throat.
They dropped into the dust
even before the hunter strung his bow.
Oh, God of May have mercy.
Bless these withered bodies
with the passion of your resurrection;
make their dead veins flow with blood again.
Give some tree the gift of green again.
Let one bird sing.
- See more at:
http://www.poets.org/viewmedia.php/prmMID/19348#sthash.VxJfMpQ5.dpuf
Poetry
Prompt for April 3, 2014: Write an ode to your favorite season.
Ode to My Socks
Mara Mori brought mea pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.
Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.
The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.
The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.
Pablo Neruda
Poetry prompt for April 4, 2014: The truth about ______(fill in the blank).
An Eye,
Open
by Paul
Celan
Hours, May-coloured, cool.
The no more to be named, hot,
audible in the mouth.
No one’s voice, again.
Aching depth of the eyeball:
the lid
does not stand in its way, the lash
Does not count what goes in.
The tear, half,
the sharper lens, movable,
brings the images home to you.
Poetry Prompt for April 5, 2014: “Every pair of eyes
facing you hasprobably experienced something you could not endure.” Lucille
Clifton
Translated by: Sholeh Wolpé
Sky
The Wind will Blow Us Away
Inside my little night, alas,
the wind has a rendezvous with the leaves;
inside my little night, there is fear
and dread of desolation.
Listen.
Hear the darkness blow like wind?
I watch this prosperity through alien eyes.
I am addicted to my despair.
Listen.
Hear the darkness blow?
This minute, inside this night,
something’s coming to pass. The moon
is troubled and red; clouds
are a procession of mourners waiting
to release tears upon this rooftop,
this rooftop about to crumble, to give way.
A moment,
then, nothing.
Beyond this window, the night quivers,
and the earth once again halts its spin.
From beyond this window, the eyes
of the unknown are on you and me.
May you be green, head to toe—
put your hands like a fevered memory in mine…
these hands that love you.
And cede your lips
like a life-warmed feeling
to the caress of my lovesick lips.
The wind will one day blow us away.
The wind will blow us away.
Poetry prompt for April 6, 2014: like wind in the dunes
Some Advice to Those Who Will Serve Time in Prison
by Nazim
Hikmet
translated by Mutlu Konuk and Randy Blasing
translated by Mutlu Konuk and Randy Blasing
If instead of being hanged by the neck
you're thrown inside
for not giving up hope
in the world, your country, and people,
if you do ten or fifteen years
apart from the time you have left,
you won't say,
"Better I had swung from the end of a rope
like a flag"--
you'll put your foot down and live.
It may not be a pleasure exactly,
but it's your solemn duty
to live one more day
to spite the enemy.
Part of you may live alone inside,
like a stone at the bottom of a well.
But the other part
must be so caught up
in the flurry of the world
that you shiver there inside
when outside, at forty days' distance, a leaf moves.
To wait for letters inside,
to sing sad songs,
or to lie awake all night staring at the ceiling
is sweet but dangerous.
Look at your face from shave to shave,
forget your age,
watch out for lice
and for spring nights,
and always remember
to eat every last piece of bread--
also, don't forget to laugh heartily.
And who knows,
the woman you love may stop loving you.
Don't say it's no big thing:
it's like the snapping of a green branch
to the man inside.
To think of roses and gardens inside is bad,
to think of seas and mountains is good.
Read and write without rest,
and I also advise weaving
and making mirrors.
I mean, it's not that you can't pass
ten or fifteen years inside
and more--
you can,
as long as the jewel
on the left side of your chest doesn't lose its luster!
- See more at:
http://www.poets.org/viewmedia.php/prmMID/15821#sthash.TypZhjyz.dpuf
Poetry prompt for April 7, 2014: A ripple you created…
Two Poems by Wang Ping
from The River in Our Blood
A
Sonnet Crown
I
The geese are painting the sky with a V, my lord
The Mississippi laughs with its white teeth
How fast winter flees from the lowland, my lord
And how’s the highland where songs forever seethe?
At the confluence, I sing of the prairie, my lord
My joy and sorrow soar with rolling spring
Its thunder half bird, half mermaid, my lord
No poppies on hills, only ghost warriors’ calling
Today is chunfeng—share
of spring, my lord
Two spirits, one on phoenix wings, one on lion’s seat
Across the sea, kindred spirits, my lord
Prayer through breaths, laughing children on the street
Let’s open our gift, acorn of small things
Let river move us without wants or needs
IV
Moon on river’s bend, long day of mayfly
No sound or word from Damascus’ desert
Limestone ridge along Silk Route—face of Dubai
Crumbles—wind in hyssop, thyme, wild mustard
This flayed land, so raw, parched, only seeds fly
To take roots in the conquerors’ footprints
Dusk weeps like sand through hands, pulling first cry
From Azan’s throat, a black slave as god’s imprints
Home under the ash cloud, darting swallows
From hospitals, roses on broken walls
Tanks at the border. Shadows at ghettos
Remorse in maze—the last muezzin calls
The Dervish whirls, palm to earth, palm to sky
Who gave us the hand to feel your sublime?
Poetry
prompt for April 8, 2014: “The cracks that begin around her eyes / Spread
beyond her skin” (Arun Kolatkar, “Jejuri”).
The Muse
By Anna
Akhmatova
All that I am hangs by a thread tonight
as I wait for her whom no one can command.
Whatever I cherish most—youth, freedom, glory—
fades before her who bears the flute in her hand.
And look! She comes. . . she tosses back her veil
staring me down, serene and pitiless.
“Are you the one,” I ask, “whom Dante heard dictate
the lines of his Inferno?”
She answers: “Yes.”
1924 (Poetry)
Poetry
Prompt for April 9, 2014: The seed in me…
Epigram
By Anna Akhmatova
Could Beatrice have written like Dante,
Or Laura have glorified Love’s pain?
I set the style for women’s speech.
God help me shut them up again.
1960
(Poetry)
Poetry
Prompt for April 10, 2014: Today my muse is…
Ramadan
You wanted to be so hungry, you would break into
branches,
and have to choose between the starving month’s
nineteenth, twenty-first, and twenty-third evenings.
The liturgy begins to echo itself and why does it matter?
If the ground-water is too scarce one can stretch nets
into the air and harvest the fog.
Hunger opens you to illiteracy,
thirst makes clear the starving pattern,
the thick night is so quiet, the spinning spider pauses,
the angel stops whispering for a moment—
The secret night could already be over,
you will have to listen very carefully—
You are never going to know which night’s mouth is
sacredly reciting
and which night’s recitation is secretly mere wind—
One Hundred Love Sonnets: XVII
I don’t love you as if you were a rose of salt,
topaz,
or arrow of carnations that propagate
fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but
carries
the light of those flowers, hidden, within
itself,
and thanks to your love the tight aroma that
arose
from the earth lives dimly in my body.
I love you without knowing how, or when, or from
where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way
to love,
except in this form in which I am not nor are
you,
so close that your hand upon my chest is
mine,
so close that your eyes close with my dreams.
Poetry prompt for April 12, 2014: “At six I lived for
spells:/how a few Hawaiian words could call/up the rain, could hymn like the
sea…” Garrett Hongo, “What For”
Vita Nova
You saved me, you should remember me.
The spring of the year; young men buying tickets for the
ferryboats.
Laughter, because the air is full of apple blossoms.
When I woke up, I realized I was capable of the same
feeling.
I remember sounds like that from my
childhood,
laughter for no cause, simply because the world is
beautiful,
something like that.
Lugano. Tables under the apple trees.
Deckhands raising and lowering the colored flags.
And by the lake’s edge, a young man throws his hat into
the water;
perhaps his sweetheart has accepted him.
Crucial
sounds or gestures like
a track laid down before the larger themes
and then unused, buried.
Islands in the distance. My mother
holding out a plate of little cakes—
as far as I remember, changed
in no detail, the moment
vivid, intact, having
never been
exposed to light, so
that I woke elated, at my age
hungry for life,
utterly confident—
By the tables, patches
of new grass, the pale green
pieced into the dark
existing ground.
Surely spring has
been returned to me, this time
not as a lover but a
messenger of death, yet
it is still spring,
it is still meant tenderly.
Prompt for April 13, 2014: “There is something joyous in the elegies / Of birds.”
“Flower Herding on Mount Monadnock,” Galway Kinnell.
I would not paint — a picture — (348)
I would not paint — a picture —
I'd rather be the One
It's bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —
I would not talk, like Cornets —
I'd rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —
Nor would I be a Poet —
It's finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!
Poetry prompt for April 14,
2014: Your pet writes you a letter.
Poetry Prompt for April 18, 2014: "And that has made all the difference."
Poems by Lal Ded
Poetry Prompt for April 19, 2014: arriving
The Lake Isle of Innisfree
W.B. Yeats
Poetry Prompt for April 20, 2014: "alone in the bee-loud glade"
to the Halls of Injustice
and the false evidence burns
to a beautiful white lightness
It rattles the Chambers of Congress
and forces the windows wide open
so the fatuous speeches can fly out
The laughter of women wipes the mist
from the spectacles of the old;
it infects them with a happy flu
and they laugh as if they were young again
Prisoners held in underground cells
imagine that they see daylight
when they remember the laughter of women
It runs across water that divides,
and reconciles two unfriendly shores
like flares that signal the news to each other
What a language it is, the laughter of women,
high-flying and subversive.
Long before law and scripture
we heard the laughter, we understood freedom.
Poetry Prompt for April 18, 2014: "And that has made all the difference."
Poems by Lal Ded
Poetry Prompt for April 19, 2014: arriving
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core. - See more at: http://www.poets.org/viewmedia.php/prmMID/15529#sthash.PMGBnO9L.dpuf
The Lake Isle of Innisfree
W.B. Yeats
Poetry Prompt for April 20, 2014: "alone in the bee-loud glade"
Stretch out Your Hands to Me
Bei Dao trans. Bonnie McDougall
Stretch out your hands to me
don’t let the world blocked by my shoulder
disturb you any longer
if love is not forgotten
hardship leaves no memory
remember what I say
not everything will pass
if there is only one last aspen
standing tall at the end of the road
like a gravestone without an epitaph
the falling leaves will also speak
fading paling as they tumble
slowly they freeze over
holding our heavy footprints
of course no one knows tomorrow
tomorrow begins from another dawn
when we will be fast asleep
Poetry Prompt for April 21, 2014: A variation on a
proverb (ex. “Better one airplane on the ground than a hundred flying” Teresa
de Jesus
The Long Evenings of Their Leavetakings
My mother was married by the water.
She wore a gray coat and a winter rose.
She said her vows beside a cold seam of the Irish coast.
She said her vows near the shore where
the emigrants set down their consonantal n:
on afternoon, on the end of everything, at the start of ever.
Yellow vestments took in light.
A chalice hid underneath its veil.
Her hands were full of calla and cold-weather lilies.
The mail packet dropped anchor.
A black-headed gull swerved across the harbor.
Icy promises rose beside a crosshatch of ocean and
horizon.
I am waiting for the words of the service. I am waiting
for
keep thee only
and all my earthly.
All I hear is an afternoon’s worth of never.
Poetry Prompt for April 22, 2014: What is your country?
(You can interpret this creatively)
Becoming Anne Bradstreet
It happens again
As soon as I take down her book and open it.
I turn the page.
My skies rise higher and hang younger stars.
The ship's rail freezes.
Mare Hibernicum
leads to Anne Bradstreet's coast.
A blackbird leaves her pine trees
And lands in my spruce trees.
I open my door on a Dublin street.
Her child/her words are staring up at me:
In better dress to trim thee
was my mind,
But nought save home-spun
cloth, i' th' house I find.
We say home truths
Because her words can be at home anywhere—
At the source, at the end and whenever
The book lies open and I am again
An Irish poet watching an English woman
Become an American poet.
Poetry prompt for April 23, 2014: a woman who appears in
your poems
SONNET 116
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
Poetry prompt for April 24, 2014: Does your experience of
love match what the Bard says in this sonnet?
In Colorado My
Father Scoured and Stacked Dishes
in a Tex-Mex restaurant. His co-workers,
unable to utter his name, renamed him Jalapeño.
If I ask for a goldfish, he spits a glob of phlegm
into a jar of water. The silver letters
on his black belt spell SangrĂłn. Once, borracho,
at dinner, he said: Jesus wasn't a snowman.
Arriba Durango. Arriba Orizaba. Packed
into a car trunk, he was smuggled into the States.
Frijolero. Greaser. In Tucson he branded
cattle. He slept in a stable. The horse blankets
oddly fragrant: wood smoke, lilac. He's an illegal.
I'm an Illegal-American. Once, in a grove
of saguaro, at dusk, I slept next to him. I woke
with his thumb in my mouth. ¿No quĂ© no
tronabas, pistolita? He learned English
by listening to the radio. The first four words
he memorized: In God We Trust. The fifth:
Percolate. Again and again I borrow his clothes.
He calls me Scarecrow. In Oregon he picked apples.
Braeburn. Jonagold. Cameo. Nightly,
to entertain his cuates, around a campfire,
he strummed a guitarra, sang corridos. Arriba
Durango. Arriba Orizaba. Packed into
a car trunk, he was smuggled into the States.
Greaser. Beaner. Once, borracho, at breakfast,
he said: The heart can only be broken
once, like a window. ¡No mames! His favorite
belt buckle: an águila perched on a nopal.
If he laughs out loud, his hands tremble.
Bugs Bunny wants to deport him. César Chávez
wants to deport him. When I walk through
the desert, I wear his shirt. The gaze of the moon
unable to utter his name, renamed him Jalapeño.
If I ask for a goldfish, he spits a glob of phlegm
into a jar of water. The silver letters
on his black belt spell SangrĂłn. Once, borracho,
at dinner, he said: Jesus wasn't a snowman.
Arriba Durango. Arriba Orizaba. Packed
into a car trunk, he was smuggled into the States.
Frijolero. Greaser. In Tucson he branded
cattle. He slept in a stable. The horse blankets
oddly fragrant: wood smoke, lilac. He's an illegal.
I'm an Illegal-American. Once, in a grove
of saguaro, at dusk, I slept next to him. I woke
with his thumb in my mouth. ¿No quĂ© no
tronabas, pistolita? He learned English
by listening to the radio. The first four words
he memorized: In God We Trust. The fifth:
Percolate. Again and again I borrow his clothes.
He calls me Scarecrow. In Oregon he picked apples.
Braeburn. Jonagold. Cameo. Nightly,
to entertain his cuates, around a campfire,
he strummed a guitarra, sang corridos. Arriba
Durango. Arriba Orizaba. Packed into
a car trunk, he was smuggled into the States.
Greaser. Beaner. Once, borracho, at breakfast,
he said: The heart can only be broken
once, like a window. ¡No mames! His favorite
belt buckle: an águila perched on a nopal.
If he laughs out loud, his hands tremble.
Bugs Bunny wants to deport him. César Chávez
wants to deport him. When I walk through
the desert, I wear his shirt. The gaze of the moon
stitches the buttons of his shirt to
my skin.
The snake hisses. The snake is torn.
The snake hisses. The snake is torn.
Eduardo C. Corral
Poetry prompt for April 25, 2014:”All that glitters isn’t music” Eduardo
CorralA Letter of Recommendation
On summer nights I sleep naked
in Jerusalem. My bed
stands on the brink of a deep valley
without rolling down into it.
In the daytime I walk around with the Ten
Commandments on my lips
like an old tune someone hums to himself.
Oh touch me, touch me, good woman!
That’s not a scar you feel under my shirt, that’s
a letter of recommendation, folded up tight,
from my father:
“All the same, he’s a good boy, and full of love.”
I remember my father waking me for early prayers.
He would do it by gently stroking my forehead, not
by tearing away the blanket.
Since then I love him even more.
And as his reward, may he be wakened
gently and with love
on the Day of the Resurrection.
Poetry prompt for April 26, 2014: “My life is the
gardener of my body” Yehuda Amichai
Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
Over my head, I see the bronze
butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two
pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes
on.
A chicken hawk floats over, looking for home.
I have wasted my life.
Poetry prompt for April 27, 2014: Wear a costume and
write in the voice of your character (use fabric from your closet to create
your character)
The Laughter Of Women
The laughter of women sets fireto the Halls of Injustice
and the false evidence burns
to a beautiful white lightness
It rattles the Chambers of Congress
and forces the windows wide open
so the fatuous speeches can fly out
The laughter of women wipes the mist
from the spectacles of the old;
it infects them with a happy flu
and they laugh as if they were young again
Prisoners held in underground cells
imagine that they see daylight
when they remember the laughter of women
It runs across water that divides,
and reconciles two unfriendly shores
like flares that signal the news to each other
What a language it is, the laughter of women,
high-flying and subversive.
Long before law and scripture
we heard the laughter, we understood freedom.
Lisel Mueller
Poetry prompt for April 28, 2014: “the odds
against us are endless,/our chances of being alive together/
statistically nonexistent;/ still we have made it…” Liesel Mueller
statistically nonexistent;/ still we have made it…” Liesel Mueller
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core. - See more at: http://www.poets.org/viewmedia.php/prmMID/15529#sthash.PMGBnO9L.dpuf
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core. - See more at: http://www.poets.org/viewmedia.php/prmMID/15529#sthash.PMGBnO9L.dpuf
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee;
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core. - See more at: http://www.poets.org/viewmedia.php/prmMID/15529#sthash.PMGBnO9L.dpuf
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